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존 헤이덕 건축에서 '메두사의 가면'의 의미에 관한 연구

A Study on the Meaning of 'Mask of Medusa' in John Hejduk's Architecture

  • 투고 : 2011.08.24
  • 발행 : 2012.01.25

초록

This paper attempts to read out what 'mask of medusa' signifies in John Hejduk's architecture. According to Paul Ricoeur's three notions of hermeneutics, i.e., distanciation, control by the world of action, and appropriation, it searches for meanings of medusa and mask, analyzes his writings, sketches, and works, and finally endeavors to read out architectural meanings and values of his architecture in terms of mask of medusa. The primary meanings which this paper suggests a`re twofold: amulet and mediator between the simple, innocent, and functional visible being and the invisible yet sensible, profound mood of the real. Based on these, the three meanings are further suggested, which are feminity, poeticalness, and sublimity.

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과제정보

연구 과제 주관 기관 : 경기대학교

참고문헌

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  3. 장 프랑수아 리오타르, 이현복 옮김, 포스트모던적 조건, 서광사, 1992
  4. Italo Calvino, Six Memos for The Next Millennium. Cambridge, Harvard University Press, 1988
  5. John Hejduk, David Shapiro, The Architect Who Drew Angels. A+U, 1991
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  7. John Hejduk, Mask of Medusa, Rizzoli, 1985
  8. John Hejduk, The Lancaster/Hanover Masque, Princeton Architecture Press, 1992
  9. John hejduk, Such Places as Memory: Poems 1953-1996, The MIT Press, 1998
  10. K. Michael Hays(Ed.), Hejduk's Chronotope, Princeton Architectural Press, 1996
  11. K. Michael Hayes, Sanctuaries: The Last Works of John Hejduk, Whitney Museum of American Art, 2002
  12. Martin Jay, Downcast Eyes: The Denigration of Vsion in Twenteeth Century French Thought. University of California Press, 1993
  13. Tobin Siebers, The Mirror of Medusa, Cybereditions, 2000