DOI QR코드

DOI QR Code

Colossal Buddha Statues along the Silk Road

  • WONG, DOROTHY C. (East Asia Center at the University of Virginia)
  • Published : 2019.12.15

Abstract

Beginning in the northwestern region of India, and spreading through Central Asia and the rest of Asia along the Silk Road, the making of colossal Buddha statues has been a major theme in Buddhist art. The colossal Buddha statues predominantly feature Śākyamuni (the Historical Buddha), Maitreya (the Future Buddha), and Vairocana (the Transcendant Buddha), and they were fashioned out of religious devotion and frequently in conjunction with notions of Buddhist kingship. This paper examines the religious, social and political circumstances under which these colossal statues were made, focusing on examples from Central and East Asia made during the first millennium CE. Beginning in the 1990s, there was a revival of making colossal Buddha statues across China and elsewhere. The paper also briefly compares the current wave of building colossal Buddha statues with historical examples.

Keywords

References

  1. Bareau, Andre. "The Superhuman Personality of Buddha and Its Symbolism in the Mahaparinirvanasutra of the Dharmaguptaka." In Myths and Symbols: Studies in Honor of Mircea Eliade, edited by Joseph M. Kitagawa and Charles H. Long, 9-21. Chicago: University of Chicago Press, 1969.
  2. Chen, Jinhua. "Pancavarsika Assemblies in Liang Wudi's Buddhist Palace Chapel." Harvard Journal of Asiatic Studies 66, no. 1 (2006): 43-103.
  3. Corradini, Piero. "Ancient China's 'Ming Tang' between Reality and Legend." Rivista Degli Studi Orientali 69, no. 1/2 (1995): 173-206.
  4. Elisseeff, Serge. "Bommokyo and the Great Buddha of the Todaiji." Harvard Journal of Asiatic Studies 1, no. 1 (1936): 84-95. https://doi.org/10.2307/2718039
  5. Em, Henry H. The Great Enterprise: Sovereignty and Historiography in Modern Korea. Durham, NC: Duke University Press, 2013.
  6. Forte, Antonino. Political Propaganda and Ideology in China at the End of the Seventh Century, 2nd ed. Kyoto: Scula Italiana di Studi sull'Asia Orientale, 2005.
  7. Forte, Antonino. Mingtang and Buddhist Utopias in the History of the Astronomical Clock: The Tower, Statue, and Armillary Sphere Constructed by Empress Wu. Rome: Istituto Italiano per il Medio ed Estremo Oriente, 1988.
  8. Fowler, Sherry. Accounts and Images of Six Kannon in Japan. Honolulu: University of Hawaii Press, 2016.
  9. Gokhale, Balkrishna G. "Early Buddhist Kingship." The Journal of Asian Studies 26, no. 1 (1966): 15-22. https://doi.org/10.2307/2051828
  10. Inamoto Yasuo. "Todaiji Nigatsudo honzon kohai zuzo ko-daibutsu renben senkokuzu wo sanshoshite-." Nara kokuritsu hakubutsukan kenkyu kiyo 6 (2004): 41-91.
  11. James, Luke, and Tim Winter. "Expertise and the Making of World Heritage Policy." International Journal of Cultural Policy 23 (2017):1: 36-51. https://doi.org/10.1080/10286632.2015.1035267
  12. Klimburg-Salter, Deborah. The Kingdom of Bamiyan: Buddhist Art and Culture of the Hindu Kush. Naples: Istituto Universitario Orientale, 1989.
  13. Konno, Toshifumi. "Todaiji's Great Buddha: Its Foundation in Buddhist Doctrine and Its Chinese and Korean Precedents." In Transmitting the Forms of Divinity: Early Buddhist Art from Korea to Japan, edited by Washizuka Hiromitsu, Youngbok Park, and Woo-bang Kang, 114-27. New York: Japan Society, 2003.
  14. Lamotte, Etienne. History of Indian Buddhism from the Origins to the Saka era. Translated by Sara Webb-Boin. Louvain-la-Neuve: Universite Catholique de Louvain, Institut Orientaliste, 1988.
  15. Ma De. Dunhuang Mogaoku shi Yanjiu. Lanzhou: Gansu Jiaoyu Chubanshe, 1996.
  16. Matsumoto Bunzaburo. Miroku jodo ron. Tokyo: Heigo Chuppansha, 1912.
  17. McNair, Amy. Donors of Longmen: Faith, Politics, and Patronage in Medieval Chinese Buddhist Sculpture. Honolulu: University of Hawaii Press, 2007.
  18. Miyaji Akira. Niepan he Mile de Tuxiangxue. Translated by Li Ping and Zhang Qingtao. Beijing: Wenwu Chubanshe, 2009.
  19. Miyaji Akira. "Daibutsu no Shutsugen-Dareru to Bamiyanno Daibutsu wo Chushin ni." Bukkyo Geijutsu 295 (2007): 9-32.
  20. Miyaji Akira. "Miroku to daibutsu." Bulletin of the Society for Near Eastern Studies in Japan 31, no. 2 (1988): 107-24. https://doi.org/10.5356/jorient.31.2_107
  21. Ouyang Zhen. "Mile Xinyang ji Leshan Dafo Sanlun." Fojiao Yanjiu 2 (2012): 172-76.
  22. Palumbo, Antonello. "Models of Buddhist Kingship in Early Medieval China." In Zhonggu shidai de liyi, zongjiao yu zhidu, edited by Yu Xin, 287-338. Shanghai: Shanghai Guji Chubanshe, 2012.
  23. Palumbo, Antonello. "From Constantine the Great to Emperor Wu of the Liang: The Rhetoric of Imperial Conversion and the Divisive Emergence of Religious Identities in Late Antique Eurasia." In Conversion in Late Antiquity: Christianity, Islam, and Beyond: Papers from the Andrew W. Mellon Foundation Sawyer Seminar, University of Oxford, 2009-2010, edited by Arietta Papaconstantinou, Neil McLynn, and Daniel Schwartz, 95-122. London: Routledge, Taylor & Francis Group, 2015.
  24. Piggott, Joan. The Emergence of Japanese Kingship. Stanford, CA: Stanford University Press, 1997.
  25. Rosenfield, John M. "Todai-ji in Japanese History and Art." In The Great Eastern Temple: Treasures of Japanese Buddhist Art from Todai-ji, edited by Yutakak Mino and John M. Rosenfield, 17-31. Chicago: The Art Institute of Chicago, 1986.
  26. Rowland, Benjamin, Jr. "The Bejewelled Buddha in Afghanistan." Artibus Asiae 24, no. 1 (1961): 20-24. https://doi.org/10.2307/3249180
  27. Sadakata Akira. Buddhist Cosmology: Philosophy and Origins. Translated by Gaynor Sekimori. Tokyo: Kosei, 1997.
  28. Sakaehara Towao. "Daibutsu Kaigen-e no Kozo to Sono Seijiteki Yigi." Toshi Bunkakenkyu 2 (2003): 14-27.
  29. Shi Jingsong, and Lingxiu Wang. "Binglingsi di 171 Kan Tangdai Dafo Shishi Gouchen." Dunhuang Yanjiu 4 (2012): 55-60.
  30. Sofukawa Hiroshi. "Ryumon Sekkutsu ni Okeru Todai Sozo no Kenkyu." Toho Gakuho 60 (1988): 181-223.
  31. Sponberg, Alan, and Helen Hardacre, eds. Maitreya, the Future Buddha. Cambridge: Cambridge University Press, 1988.
  32. Strong, John S. The Legend of King Asoka. Princeton, NJ: Princeton University Press, 1983.
  33. Tambiah, Stanley J. World Conqueror and World Renouncer. Cambridge: Cambridge University Press, 1976.
  34. Weinstein, Stanley. Buddhism Under the T'ang. London: Cambridge University Press, 1987.
  35. Winter, Tim.Geocultural Power: China's Quest to Revive the Silk Roads for the Twenty-First Century. Chicago: University of Chicago Press, 2019.
  36. Winter, Tim. "Rethinking Tourism in Asia." Annals of Tourism Research 34, no. 1 (2006): 27-44. https://doi.org/10.1016/j.annals.2006.06.004
  37. Wong, Dorothy C. Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770. Singapore: National University of Singapore Press, 2018.
  38. Wong, Dorothy C. Chinese Steles: Pre-Buddhist and Buddhist Use of a Symbolic Form. Honolulu: University of Hawaii Press, 2004.
  39. Wu Dabin. "'Jiazhou Lingyunsi Da Mile Shixiang ji' Lunlue." Zhonghua Wenhua Luntan 3 (2017): 140-44.
  40. Yi, Lidu. Yungang: Art, History, Archaeology, Liturgy. London: Routledge, 2017.