대한건축학회논문집:계획계 (Journal of the Architectural Institute of Korea Planning & Design)

  • 제35권11호
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  • Pages.101-108
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  • 2019
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  • 1226-9093(pISSN)
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  • 2384-177X(eISSN)
대한건축학회 (Architectural Institute of Korea)
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근대의 이원론과 르 코르뷔지에의 사고

Modern Dualism and Le Corbusier's Ideas

  • 이재영 (연세대학교 건축공학과)
  • Lee, Jae-Young (Department of Architecture & Architectural Engineering, Yonsei University)
  • 투고 : 2019.08.08
  • 심사 : 2019.10.29
  • 발행 : 2019.11.30
⟨ 이전 논문 다음 논문 ⟩

초록

In this study, Le Corbusier's ideas were investigated from the view point of modern dualism. Le Corbusier, pioneer of modern architecture, insisted a rationalistic architecture for the industrial period, considering a house as 'machine for living'. In the other way, he tried to arouse emotions through architecture, mentioning a house as 'machine for affecting'. In his writings and paintings, he divided the world in the two opposed things (ex: human and nature, reason and sensation, chaos and order, orthogonal and libre curve, man and woman, sun and moon, lightness and darkness, bull and woman, and etc), and tried to combined the these two divided things. In architecture, he amalgamated his white buildings with the green vegetation, which is styled in the harmony of contrast(nature and articial). In urbanism, Le Corbusier did not divide nature only into three material elements for living(sunlight, air, green space), but also pursued poetic and aesthetic nature through buildings under the rays of sun and among the vegetation. Le Corbusier's dualistic ideas are based on Descartes's modern dualism, which divided the world into the material and the spiritual and into the objective and the subjective. Due to this original division, modern dualism contains the limits of extreme subjectification on human signification and of separation from the world and nature. Le Corbusier pursued the combination of the two divided things to overcome the contradiction of dualism, but his ideas and works contain the limits of the modern dualism.

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