대한건축학회논문집 (Journal of the Architectural Institute of Korea)

대한건축학회 (Architectural Institute of Korea)
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다니엘 리베스킨트의 메모리얼 건축과 뮤제오그래피에서의 선(line) - 의 물질적 이미지 중심으로 -

A Study on the Line of Daniel Libeskind's Memorial Museum and Museography - Focusing on the Material Image in -

  • 김경진 (계원예술대학 전시디자인과)
  • 투고 : 2020.01.04
  • 심사 : 2021.11.16
  • 발행 : 2021.12.30
⟨ 이전 논문 다음 논문 ⟩

초록

This study is about material image and form image applied to memorial and museography. Gaston Bachelard had explained that the imagination of creator would be thought in the aspect of material cause. Architect's schema mediates between imagination and expression in architecture work. Daniel Libeskind has expressed the architectural concept through the lines with drawing works. According to Daniel Libeskind, Jewish Museum Berlin is about two lines thinking, organization, and relationship. One line is oriented to temporality and the other line is oriented to spatiality. The purpose of this study is to analyze expression methods of Daniel Libeskind in memorial architecture with body perception. Daniel Libeskind has tried to use material image in exhibition as axis and void made of lines. This method has a role to spatialize the contextual architecture into a form image. It makes visitor's experience as otherness with combining images(invisible matrix). It would be understood as metonymic characteristics. Daniel Libeskind has characterized museography and memorial architecture as counter-monument. Through this, the exhibition makes possible the dialogic representation in memorial architecture. The exhibition space provides a path with connection of invisible placeness. Therefore this study explicate how the material image works together with the concept of lines.

키워드

참고문헌

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