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마르틴 하이데거와 루이스 칸의 '건축성'에 관한 연구 - 예술, 도구, 시설의 키워드를 중심으로 -

The 'Architecture-ness' of Martin Heidegger and Louis I. Kahn - Focused on the Keywords of Art, Equipment, and Institution -

  • Han, Sang-Woo (Dept. of Architecture & Architectural Engineering, Seoul National University) ;
  • Baek, Jin (Dept. of Architecture & Architectural Engineering, Seoul National University)
  • 투고 : 2022.02.04
  • 심사 : 2022.05.10
  • 발행 : 2022.05.30

초록

In this era, architecture can be considered either as art, equipment, or something else. This study focuses on the architectural philosophy of Martin Heidegger and Louis I. Kahn. Martin Heidegger confronts interpretative limitations by treating architecture as either art or equipment; whereas Louis I. Kahn reflects the architecture with the frame of a social institution and opens a new horizon of architectural ontology. Their philosophical search for architecture originates from the consciousness of social and institutional difficulties derived from international style, functionalism, pragmatism and modernism. They adopted the methodologies of searching for the philosophical and architectural keywords, such as bauen and form, to address the problem of contaminated language. Finally, the typical examples and characteristics of the thing-ness of architecture, also known as architecture-ness, are completely different from each other. For instance, Heidegger illustrates the examples of a Greek temple and a farmhouse in the Black Forest being well situated in-between things such as topographical and natural things; Kahn suggests the image of the new Institution of housing, education and transportation based on availability and supported by members of the community in a city.

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과제정보

이 논문은 2022년도 4단계 BK21사업에 의하여 지원되었음 (관리번호 4120200113771)

참고문헌

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