• Title/Summary/Keyword: The therapic music

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Analysis on the Therapeutic Music of Chinese Five-sounds (오음 표준화를 위한 중국 '오음' 치료음악의 분석)

  • Ha Ki Jong;Lee Yong Tae;Kim Gyeong Cheol
    • Journal of Physiology & Pathology in Korean Medicine
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    • v.16 no.6
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    • pp.1106-1109
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    • 2002
  • The analysis on the therapic music of chinese five-sounds studied in order to the stand ardization of the five-sounds. The results were as follows; The central sound of Gung(宮) becomes Do. This music goes on slow speed from first to last and appears the bright, quiet and stable mood. The central sound of Sang(商) becomes Re. This music mainly uses the brass and the fist appears the heavy feeling but gradually becomes ascending mood. The central sound of Kang(角) becomes Mi. This music mainly uses the wood-wind imstrument and appears the most light and vivid feeling. The central sound of Chi(徵) becomes Sol. All instruments sound grandly in the first part, and subsequently sound gentle. The central sound of Woo(羽) becomes La. This music appears dark and tragic mood that is generally used in the minor key. It is played slowly on the whole and appears lyrical feeling in the process of controlling and quiet. In the future, the study on diagnosis and therapy through the standardization of the five-sounds will be continued.