• 영어어문교육
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• 제12권3호
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• pp.99-122
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• 2006

The purpose of this paper is to explain the meanings and uses of the English auxiliaries SHALL/WILL. The complexity of modern usage of SHALL/WILL has been one of the most disputable themes of traditional English grammar. The paper purported to address the study and analysis of diachronic and synchronic approach to the two auxiliaries. A general view of the figures of Fries'(1925) survey was added for further investigation. The results of the study showed that these auxiliaries express some of various modal meanings associated with the volitional or emotional attitude of the speaker without implying futurity. The findings also suggested that the use of SHALL in present-day English is restricted to non-volitional future with the first person but the practice of this use is also diminished by the expansion of the use of WILL, and the original meaning of WILL, 'to desire or wish', has generally been replaced by other verbs or modal forms. But sentences which seem to indicate futurity are often tinged with modal senses. Therefore, WILL/SHALL should be considered to act either as tense auxiliary or as modal auxiliary depending on situational contexts in which it occurs.

• 한국실내디자인학회논문집
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• 제24권1호
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• pp.124-132
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• 2015

This study investigated the complex meanings of the concept of place and their periodical changes in the Korean architectural discourse. For that, the study surveyed almost every articles in majour 3 Korean architectural magazines during around 1990s, when the Korean architects and theorists concerned the 'place' as an alternative of the modernists' 'space'. 60 selected articles were organized in a table in a chronological order together with their keywords and category codes. The 8 categories reflecting 8 issues of 'place' were suggested in the study after the analysis of selected articles' contents. The categories were structured by two axes which were 4-grade scale axis influences by C. Norberg-Schultz' approach, and 'architecture-human' axis following the 'structure-action' division by A. Giddens. After the analysis of the diachronic and synchronic tables, the study tried to establish a structure model of the concept of place in Korean architectural context, which consisted of architectural terms such as environment, social system, context, identity, landscape, community, Materiality, and residence. This final result could be useful for both architects and theorists who might try to apply the idea of 'place' without erstwhile confusion on their design or research by examining the detailed contents of the concept.

• 한국조경학회지
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• 제28권3호
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• pp.61-71
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• 2000

The purpose of this article is to investigate the forms and styles of pond at private housing in terms of diachronically influencing characteristics in the Choson Dynasty. From various literatures and records, we have selected 73 cases of pond. We have analyzed the types of pond based on square type, squared type with islets, and modified types and found the following results: 1) Chronically, shapes of pond had been chanced from the three prototypes into their features of deducting side or edge, adding a triangular or trapezoid shape, and installing more islets, and replaced their figures with gradually progressive from side having a straight lined shape to a curved one. 2) As for characteristics of arranging ponds, we found three patterns of arrangement - the juxtaposition with a similar shape of pond, juxtaposition with a different shape of pond, and the juxtaposition with a pond having different topological level in the light of the relation with a stream and a pond. We can conclude the two changed patterns of ponds at private residence in Choson Dynasty that the one had been transformed shapes of pond with sides of pond, and the others had been transformed juxtaposition with either a stream or a natural stream. From this research we can find an important implications in understanding patterns and types of garden in the Choson Dynasty from exploratory approach and in the future the relationship between topographical characteristics of private residence and Confucian ideas, and shapes of pond is needed to be examined in explanatory manner.

• 한국콘텐츠학회논문지
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• 제22권5호
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• pp.67-80
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• 2022

본 연구는 미디어 기업이 중심이 되어 기존의 방송 콘텐츠를 짧은 분량으로 편집하여 서비스하는 재가공형 숏폼 콘텐츠의 의미와 특성을 밝힘을 목적으로 한다. 이를 위해 2014년부터 2021년까지 네이버 TV 플랫폼에 개설된 지상파 3사와 JTBC, tvN의 드라마 채널 전체 영상과 대표 예능 프로그램을 분석대상으로 선정하여 통시적, 공시적 접근을 동시에 진행하였다. 분석 결과 통시적 관점에서 드라마와 예능 프로그램 모두 제공 영상의 개수와 형태가 다양해지는 등 양적, 질적 확장이 이루어졌다. 특히 기획형 영상의 경우 캐릭터, 주제, 소재 중심의 계열화가 나타나는 등 독립적 콘텐츠로서의 의미 역시 강화되고 있었다. 썸네일과 제목 역시 검색의 태그이자 큐레이션 역할을 하는 파라텍스트로 정형화됨을 확인할 수 있었다. 공시적 관점에서는 실시간 조회수와 원본 영상과의 비교를 통해 재가공형 숏폼 콘텐츠가 독립적인 시청 맥락을 가진 콘텐츠이자 캐릭터 중심의 콘텐츠로 여겨지고 있음을 알 수 있었다. 본 연구는 부수적으로 여겨지던 숏폼 콘텐츠의 의미와 위상 변화를 포착하는 시도로 의의를 지닌다.

• 한국실내디자인학회논문집
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• 제13권2호
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• pp.10-19
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• 2004

In order to attain unique aesthetic value, diversity of meanings of Fusion Design, 'openness', requires meaning interpreting process(communication) which harmonizes and combines new codes suggested by authors(senders) and codes interpreted by public(receivers). For this harmony, we should consider all the art aspects(integration of synchronic and diachronic, anti-rationalism ideology, negative concept) that are bases of creativity of Fusion Aesthetics. Moreover, we can approach open thought system of Fusion Design through theories of Entropy and Rhizome. This point of view which allowed a categorical means of natural science theory to be used in design context changed a methodic or interpretative perception. Not only in art interpreting process does Fusion Design take openness as one of its necessary factors but also in creating process, which enables a work of art to be opened at the maximum. In conclusion, the significance of fusion design is to suggest an ideal model of communication abstracted from open art works.

• 동의생리병리학회지
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• 제25권5호
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• pp.777-789
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• 2011

This study focuses on seeking a desirable direction for the discussions about identity issue of the current Traditional Korean Medicine(TKM). The identity issue of the current TKM is about asking what exactly the current TKM is, what sets the TKM apart from the other medical systems, and what value the TKM has in the contemporary settings, and seeking suitable answers to all these questions. The most important factor that affects these answers is what kind of the concept of identity we have. Current discussions of the identity issue of the TKM take narrow and inflexible concepts of identity such as "Numerical Identity," or "Qualitative Identity", not suitable for TKM, which is always changing and open to other academic fields. This study suggests that Hannah Arendt's concept of identity is more desirable for the TKM, which highlights pluralism and relations, as well as defining identity as a creative, positive, and open-ended process. In addition, this study also suggests that taking a closer look at the "field", which has previously been hidden behind the discourse on the "modernization", will help in figuring out what exactly the identity of the current TKM is. Lastly, the current discussions about "unification of Eastern and Western medical system", and "Integrative Medicine" in Korea will affect the identity issue of TKM.

• 한국실내디자인학회논문집
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• 제13권5호
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• pp.74-81
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• 2004

The three basic elements of human life -clothing, food and shelter- had been evolved through different periods and cultural realms, as their spatial applications show distinct characteristics that are manifested through sensibilities only inherent to its specific culture. Especially in the interior spaces, possibilities to approach them in three-dimensional aspects allow formal characteristics to be expressed that are distinct to the country. Formal sensibilities embedded in interior space In Korea also follows such pattern, developed through various contemporary interpretations of Korean traditional formal sensibilities, including harmony with nature, simplicity, lightness, real and fake, and principle of harmony are being redefined by spatially expressed in contemporary language. That is, traditional formal sensibilitiesare filtered through various application methods such as composition, negotiation and modification, accommodating spatial manifestations to be not simply preserved nor replicated, but rather reconstructed through metaphor, symbol, abstraction and contrast. From this perspective, the Korean traditional formal sensibilitiesis not a notion fixed in the past, but a distinct perspectives evolving throughout periods of time that are constantly reconsidered and reinterpreted in our interior space. By examining Korean sensibilities manifested in interior space in the both diachronic aspects of tradition vs. contemporary, as well as synchronic aspects among various disciplines simultaneously, we would be able to generate a linkage to the dichotomous categories of tradition and contemporary.

• 동의생리병리학회지
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• 제24권5호
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• pp.758-769
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• 2010

This is a preliminary study for examining the identity issue of the current Traditional Korean Medicine(TKM). In order to examine the identity issue, it is necessary to understand "what" current TKM is. The current TKM has been formed in the complicated historical settings and the newly formed academic geography of modern times, completely different from those of the traditional era. This paper took diachronic and synchronic approaches in order to understand the current TKM. In the process of modernization and scientization of the TKM-which had begun in the early twentieth century-the western medical knowledge merged into the TKM. Also, as the College education of the TKM began after the Liberation from the Japanese colonial rule, the TKM scholars accepted the western medical department system to develop the TKM into professional knowledge. Meanwhile, since the late 1970s, the TKM has been influenced by the modern Traditional Chinese Medicine (TCM), and the TCM knowledge also merged into the TKM. And recently, the research methodology of the complementary and alternative medicine (CAM), and the clinical research technique of the western medicine-like Evidence based Medicine (EBM)-are affecting the scientization and clinical study of the TKM. The current TKM has been formed as a result of the hybridization of these different knowledges. These changes in the TKM were inevitable for the survival of it in the fast changing world. But these changes brought with them problems. Among those, the identity issue is the most important and crucial.

• 한국철학논집
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• 제50호
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• pp.333-361
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• 2016

본 연구는 전통의 규범적 의미에 대한 재해석과 범주화의 탐구를 목적으로 한다. 행위의 규정 근거로서 전통은 규범적 의미를 지니며, 도덕의 중요한 원천이다. 통시적 맥락에서 볼 때, 생태문화적 관점에서 고찰할 때, 전통적 가치는 그 연원이 있고, 시대적 사회적 변화에 따른 변용과 왜곡의 모습을 지니기도 한다. 전통적 가치가 민주시민으로서 미래 사회를 대비하는 데 기여하기 위해서는 재해석과 범주화가 필요하다. 미래 한국사회의 변화 전망 속에 유효한 전통의 규범적 의미는 그 연원으로부터 재해석을 통해 도출될 수 있다. 본고의 논의 순서는 다음과 같다. 먼저 생태문화적 관점에서 전통적 가치의 동적인 변화상을 살펴보고, 한국사회에서 전통적 가치에 대한 사회적 인식을 바탕으로 대표적인 전통적 가치인 충효의 현대적 재해석의 가능성을 탐색하고자 한다. 끝으로 서구적 가치와 한국의 전통적 가치를 포괄하는 한국적 가치의 맥락 속에서 전통적 가치의 범주화와 그 함의를 밝히고자 한다.

• 한국시조학회지:시조학논총
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• 제25집
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• pp.75-100
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• 2006

이 논문은 오늘날과 같은 다매체시대에서 중요한 화두가 되고 있는 생태학을 바탕으로 한국문학, 특히 시조와 현대소설에서의 자연친화적이고 자연동화적이 상징물이 어떠한 의미로 나타나고 있으며, 어떻게 생태학적 상상력으로 형상화되고 있는가를 고찰하면서 시대와 장르간의 통시적 통합적 사고를 도출하려는 데 그 목적이 있다. 한국문학, 특히 우리의 시조에서는 자연을 주거공간으로 생각하고, 인간과 자연의 불가분리의 관계에서 자연친화적이며 자연동화적인 삶을 노래하고 있다. 그리고 현대소설에서도 시조에서 나타난 것과 마찬가지로 은유나 상징의 자연공간이 생태적 상상력으로 형상화되어진다. 따라서 이 두 장르는 통시적 통합적 관계에서 소통이 가능하다고 본다. 문학생태학과 장르 간 소통을 위한 올바른 방향 몇 가지를 요약하면 다음과 같다. 먼저 문학이 현실에 바탕을 두고 있다는 생각에서 과감히 벗어나 문학생태학적 상상력을 탐색해야 할 것이다. 오늘날 인류가 겪고 있는 환경 위기나 생태계위기도 따지고 보면 진보와 발전이라는 목표를 세워놓고 거기에만 매달려 초래된 결과라고 할 수 있다. 따라서 앞으로의 문학은 녹색의 문학생태학에도 많은 관심을 갖고서 문학생태학적 상상력을 찾아 부단히 움직이는 모습을 보여야 할 것이다. 그리고 우리 문학작품에 두루 나타나고 있는 공통의 자연관과 문학생태학적 상상력을 이제 수용과 창작의 통합의 원리에서 접근해야 할 것이다. 교사와 학생에게 자연과 환경. 생태계의 문제는 현실적이고도 공동적인 주제가 될 수 있다 따라서 자연친화적이고 생태학적 문학작품의 수용과 창작 활동이 문학적 감수성과 상상력을 함양하는 실천적 교육모형이 될 수 있도록 해야 한다. 또한 통시적이며 통합적인 맥락에서 한국문학의 각 장르에 대한 활발한 연구와 모색이 전제되어야 할 것이다 특히 한국문학의 전통적 자연의식을 전승하고 있는 시조의 활성화가 필요하다고 본다 열린 사고를 갖고 시조가 지니고 있는 고유한 특성을 고수하면서 새로운 시대에 적응하는 방법 모색은 더욱 치열하게 전개되어야 할 것이다. 따라서 소설의 장르가 디지털시대의 새로운 문학 환경에서 새로운 정체성을 확보하기 위하여 나름대로의 대응방법을 모색하는 데서 그 하나의 단초를 마련할 수 있을 것이다.